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Roll tape.
Skip the loft.

A purpose-built green-screen chamber in Sunset Park — painted in chroma green, sealed with a matching muslin curtain, pre-rigged for keys that drop in post. Book by the hour, the half-day, or the full day. Walk in with a script and a cast; walk out with footage that composites clean.

BackdropChroma green
From$70/hr
Lead time4 hrs
The Stage — a green-screen chamber framed through the doorway from a white anteroom, green curtain pulled back to reveal the chroma alcove inside, stainless steel bench at the entry.
Green screen Painted chamber + curtain
Ceiling 10 ft to grid
Power 110V · 8 outlets
Load-in Freight elevator · ground

Built for the shoot, not the showcase.

Most rooms in New York are loft conversions with one outlet, no chroma surface, and a landlord who'd rather you didn't shoot at all. The Stage is a real shoot room — purpose-built, properly powered, and bookable by the hour.

Pre-rigged.

Ceiling track lighting, three Nanlite bi-color LEDs, and two C-stands ready on the floor. Most days you can be lit and rolling in 20 minutes.

Sound-controlled.

Treated walls, baffled ceiling, and a quiet HVAC the operator can knock down to whisper. We spec'd it to take dialogue takes without ADR — and yes, you can flip on a fan when you need atmosphere.

Crew-aware.

Loading dock at street level, a freight elevator that takes a hand truck, video village in the green room next door, and a craft area with coffee that doesn't taste like the drip's been on since 9 AM.

The Stage

From walk-in to wrap.

The Stage is a chroma-green chamber, with a white anteroom for crew, talent, and video village. Tour the floor to walk the path your crew will take.

The layout.

A chroma-green chamber sealed by a matching muslin curtain at the entrance. 10-foot ceiling, a white anteroom for crew + talent + video village. Floor plan available on tour.

The Stage chamber from the doorway, green curtain parted to reveal the chroma interior.
Green chamber · chroma curtain · 10 ft ceiling
Green screen Chroma chamber Walls + ceiling painted chroma-green; matching muslin curtain seals the entrance. Surface keys clean in post.
Ceiling height 10 ft to grid Overhead truss with track-mounted lighting and rigging points.
Power 110V · 8 outlets Eight standard 110V outlets — plenty for lights, camera, monitor, and laptop. No tripped breakers.
Sound NC-25 with HVAC off Treated walls, baffled ceiling. Dialogue takes without ADR routine.
Load-in Freight · ground Loading dock at street level. 8×8 ft freight elevator. No stairs.
Connectivity 1 Gbps wired CAT6 to the floor plus dedicated 1 Gbps Wi-Fi 6 backbone.
Green room Adjacent suite Wardrobe rack, full-length mirror, lounge seating.
Parking Loading dock + street Truck-friendly block. 90-min unload window blocked by front desk.

What's on the floor.

Every booking includes the full lighting + grip kit, rigged and ready. Bring your own camera and audio package — we light the room and keep the key clean.

3× Nanlite bi-color LEDs 2× FS-300B spots (key + fill) and 1× FS-60B (accent / rim) — bi-color, fully dimmable, on rolling stands. Included
Modifiers 36″ Angler softbox + grid, a Westcott 45″ convertible umbrella, and a Nanlite FL-11 fresnel for tight, controlled beams. Included
2× C-stands 40-inch arms, knuckles, and gobo heads — sandbagged and ready on the floor. Included
Ceiling track lighting Track-mounted spots on dimmers, positionable across the grid. Included
Green-screen chamber Walls and ceiling painted chroma green, sealed by a matching muslin curtain at the entrance. Keys clean in post. Included
Chroma touch-up Front desk touches up the chamber paint between bookings — you walk into a clean key every time, no per-shoot fee. Included

Outside crew brings their own grip and electric — fine. We just ask for a 30-minute walkthrough on tour day so the front desk knows the rig.

Pay for the shoot day, not the loft.

Three book-types. All include the rigged kit and crew-ready load-in.

By the hour
$70
per hour · 4-hr min · production
  • Hold the studio 8 AM – 6 PM
  • Same-day with notice
  • Cancel free up to 24 hrs prior
  • Front-desk concierge on call
Book hourly
Per Week
$1,960
5 consecutive days · saves 30% vs hourly
  • Best for episodic shoots and series
  • Lock the room Mon–Fri
  • Same kit, same crew, all week
  • Concierge · priority loading dock
Book a week
20-hr Pack
$1,120
$56/hr banked · saves 20% · 60-day expiry
  • Spend hours across any weekday
  • Min 1-hour redemption
  • Cancellation rules apply per redemption
  • Locked to The Stage
Buy a pack
Flex members only. Become a member free · Processing fee (2.9% + $0.30) applied at checkout. Multi-day (3+) packages quoted from front desk.

What gets shot here.

A working snapshot of the calendar — the kind of day-of, week-of work the room handles best.

01 · Brand

DTC product video

Founder + product on a clean green key. Shoot 30-second hero plus 6 cutdowns in one day, drop the chamber in post. Most-booked use.

02 · Music

Music videos

Indie & label. Swap to a color roll, run the truss for haze + colored gels, wrap by midnight.

03 · Fashion

Lookbook + e-com

Brand teams shoot 200+ SKUs across two days. Studio + green room as rotating dressing space.

04 · Talent

Reels & auditions

Casting tape days, agency reels, talent self-tapes. Bring your camera; a half-day covers it.

A production day

From pre-light to wrap.

A typical full-day with a 5-person crew and 2 talent — built from the last twelve months of bookings. Your day will read different; the building runs the same.

7:30 AM

Loading dock unblock

Front desk meets your AD at the loading dock. Truck pulls in, hand-truck unload up the freight, no tarps in the lobby.

8:00 AM

Pre-light + camera build

DP + gaffer drop the rigged truss, swap in the looks for first setup. Camera op builds. Front desk PA on standby for water + power runs.

9:30 AM

Talent arrival + green room

Talent checks in at front desk, escorted to green room. Wardrobe rack, mirror, full-length, makeup-friendly lighting. Your makeup artist is already set.

10:30 AM

First setup rolling

Lights are hot. Audio is on. Director calls action. The room is built to take dialogue; HVAC is whispered off for takes.

1:00 PM

Lunch · catering arrives

Front desk receives + sets craft in the lounge. Crew eats off-stage, talent eats in the green room. 45 minutes, then back.

2:00 PM

Setup change · chamber relight

Truss tracks to new positions. Gel swap. 30 minutes, max. The grid was rigged so the second setup doesn't take an afternoon.

5:30 PM

Cooldown + wrap

Last takes wrap. Crew breaks down. Chamber gets walked for chroma scuffs — front desk touches up between bookings if needed. End-of-day card runs and the receipt emails before the truck leaves.

6:30 PM

Out the door

Loading dock again, freight again, truck pulls out. Your stage day ended on time. Your client got their content.

The Stage · FAQ

Quick answers.

What's the chroma surface — painted wall or roll?
Painted, on every surface that lands in frame. Walls, ceiling, and the muslin curtain at the entrance are all matched chroma green. No paper roll to load in, no seams to dodge — you light it, you key it. We touch up the paint between bookings if anything scuffs.
How early can my crew load in?
Up to 60 minutes before your booking starts at no charge. Earlier than that, we add it to the booking at the hourly rate. Loading dock blocks are coordinated by front desk — give us your truck time when you book.
Can I bring my own backdrop or shoot on a white surface?
Yes — bring your own seamless paper, fabric, or pop-up backdrop and we'll set it up against the chamber wall. The chroma surface stays underneath; your bring-in covers it for the shoot. Helpful if you need a specific color, a textured surface, or a true white key.
What about my own grip and electric?
Bring your own — the rig included is a baseline, not a ceiling. We hold gear on the freight floor for return-trip crews who shoot here regularly. Just give us a manifest the day before so the front desk knows what's coming up.
Can I shoot late or overnight?
Yes — past 8 PM and overnight bookings run at +25% on the hourly rate to cover after-hours staffing. Music videos and brand intensives often run this way. Book in advance — we don't take same-day overnight requests.
Is there parking for trucks?
Loading-dock spot at street level + 90-minute unload window blocked by front desk. Crew parking is street parking on the same block — generally easy outside of weekday rush. We'll send a parking memo with your booking confirmation.
Can I rent the green room separately?
Yes — the green room is its own bookable studio at $40/hr when not packaged with The Stage. Hair & makeup teams use it as a daily prep room; talent uses it as wardrobe + holding for shoots elsewhere in the building.
What's the cancellation policy?

The short version: free cancellation up to 24 hrs before. 24–4 hrs out: 50% refund. Inside 4 hrs or no-show: full charge.

Production days have a lot of moving parts — if you've cleared the calendar to shoot and your client cancels, call the front desk. Genuine same-day issues are handled human-to-human, not by the policy.

Do my pack hours have to be on the same day?
No — that's the point. A pack is a bank of hours. Spend them however your week reads: 2 hours Tuesday, 3 hours Thursday, 3 hours Saturday. Each redemption is its own booking on the calendar. The only rule is a 1-hour minimum per redemption and the pack has to expire by its 30/60/90-day window.
What if I only need 2 hours at a time, not the 4-hour hourly minimum?
Buy a pack instead of hourly — the 4-hour minimum applies to standalone hourly bookings only. Pack hours redeem in 1-hour increments. The Starter pack (8 hours, $576) covers four 2-hour sessions across a month and works out cheaper than two standalone half-day bookings.
What happens to unused pack hours?
They expire on the date listed when you bought the pack — 30 days for Starter, 60 for Working, 90 for Resident. Unused hours are non-refundable. If you're close to expiration, the front desk can usually help you find a slot to burn them in. Most members redeem on rhythm and don't run into this.
Is the rate per-room or per-person?
Per-room. Bring up to 8 crew + 4 talent on the half-day or full-day; for larger crews, please book a tour first so we can plan load-in and green-room rotation.

Also on the floor.

Production days don't end at the stage. The rooms most often booked alongside The Stage on a shoot day:

Walk the floor. Plan the shoot.

The Stage is best understood with your DP standing in it. Book a 30-minute walkthrough — bring a shotlist, bring questions, bring your AD. We'll show you load-in, the rig, and the green room.

Book a tour Or call us →
Visit · 341 39th St, Brooklyn, NY 11232
Mon – Fri8 AM – 8 PM
Saturday9 AM – 6 PM
SundayBy appointment
Front desk718.954.7269