- Hold the studio 8 AM – 6 PM
- Same-day with notice
- Cancel free up to 24 hrs prior
- Front-desk concierge on call
Roll tape.
Skip the loft.
A purpose-built green-screen chamber in Sunset Park — painted in chroma green, sealed with a matching muslin curtain, pre-rigged for keys that drop in post. Book by the hour, the half-day, or the full day. Walk in with a script and a cast; walk out with footage that composites clean.

Built for the shoot, not the showcase.
Most rooms in New York are loft conversions with one outlet, no chroma surface, and a landlord who'd rather you didn't shoot at all. The Stage is a real shoot room — purpose-built, properly powered, and bookable by the hour.
Pre-rigged.
Ceiling track lighting, three Nanlite bi-color LEDs, and two C-stands ready on the floor. Most days you can be lit and rolling in 20 minutes.
Sound-controlled.
Treated walls, baffled ceiling, and a quiet HVAC the operator can knock down to whisper. We spec'd it to take dialogue takes without ADR — and yes, you can flip on a fan when you need atmosphere.
Crew-aware.
Loading dock at street level, a freight elevator that takes a hand truck, video village in the green room next door, and a craft area with coffee that doesn't taste like the drip's been on since 9 AM.
From walk-in to wrap.



The Stage is a chroma-green chamber, with a white anteroom for crew, talent, and video village. Tour the floor to walk the path your crew will take.
The layout.
A chroma-green chamber sealed by a matching muslin curtain at the entrance. 10-foot ceiling, a white anteroom for crew + talent + video village. Floor plan available on tour.

What's on the floor.
Every booking includes the full lighting + grip kit, rigged and ready. Bring your own camera and audio package — we light the room and keep the key clean.
Outside crew brings their own grip and electric — fine. We just ask for a 30-minute walkthrough on tour day so the front desk knows the rig.
Pay for the shoot day, not the loft.
Three book-types. All include the rigged kit and crew-ready load-in.
- Hold the studio 8 AM – 6 PM
- Crew of 8, talent of 4
- Green room reserved exclusive
- Loading-dock block for unload
- Best for episodic shoots and series
- Lock the room Mon–Fri
- Same kit, same crew, all week
- Concierge · priority loading dock
- Spend hours across any weekday
- Min 1-hour redemption
- Cancellation rules apply per redemption
- Locked to The Stage
What gets shot here.
A working snapshot of the calendar — the kind of day-of, week-of work the room handles best.
DTC product video
Founder + product on a clean green key. Shoot 30-second hero plus 6 cutdowns in one day, drop the chamber in post. Most-booked use.
Music videos
Indie & label. Swap to a color roll, run the truss for haze + colored gels, wrap by midnight.
Lookbook + e-com
Brand teams shoot 200+ SKUs across two days. Studio + green room as rotating dressing space.
Reels & auditions
Casting tape days, agency reels, talent self-tapes. Bring your camera; a half-day covers it.
From pre-light to wrap.
A typical full-day with a 5-person crew and 2 talent — built from the last twelve months of bookings. Your day will read different; the building runs the same.
Loading dock unblock
Front desk meets your AD at the loading dock. Truck pulls in, hand-truck unload up the freight, no tarps in the lobby.
Pre-light + camera build
DP + gaffer drop the rigged truss, swap in the looks for first setup. Camera op builds. Front desk PA on standby for water + power runs.
Talent arrival + green room
Talent checks in at front desk, escorted to green room. Wardrobe rack, mirror, full-length, makeup-friendly lighting. Your makeup artist is already set.
First setup rolling
Lights are hot. Audio is on. Director calls action. The room is built to take dialogue; HVAC is whispered off for takes.
Lunch · catering arrives
Front desk receives + sets craft in the lounge. Crew eats off-stage, talent eats in the green room. 45 minutes, then back.
Setup change · chamber relight
Truss tracks to new positions. Gel swap. 30 minutes, max. The grid was rigged so the second setup doesn't take an afternoon.
Cooldown + wrap
Last takes wrap. Crew breaks down. Chamber gets walked for chroma scuffs — front desk touches up between bookings if needed. End-of-day card runs and the receipt emails before the truck leaves.
Out the door
Loading dock again, freight again, truck pulls out. Your stage day ended on time. Your client got their content.
Quick answers.
What's the chroma surface — painted wall or roll?
How early can my crew load in?
Can I bring my own backdrop or shoot on a white surface?
What about my own grip and electric?
Can I shoot late or overnight?
Is there parking for trucks?
Can I rent the green room separately?
What's the cancellation policy?
The short version: free cancellation up to 24 hrs before. 24–4 hrs out: 50% refund. Inside 4 hrs or no-show: full charge.
Production days have a lot of moving parts — if you've cleared the calendar to shoot and your client cancels, call the front desk. Genuine same-day issues are handled human-to-human, not by the policy.
Do my pack hours have to be on the same day?
What if I only need 2 hours at a time, not the 4-hour hourly minimum?
What happens to unused pack hours?
Is the rate per-room or per-person?
Also on the floor.
Production days don't end at the stage. The rooms most often booked alongside The Stage on a shoot day:
Walk the floor. Plan the shoot.
The Stage is best understood with your DP standing in it. Book a 30-minute walkthrough — bring a shotlist, bring questions, bring your AD. We'll show you load-in, the rig, and the green room.

